Supex SDX-2000 rare HOMC phono cartridge Koetsu I have very rare Supex SDX-2000 phono cartridge for sale. The cartridge was in my collection for years. recently bought brand new copy- this one for sale. The cartridge is in very good operational and cosmetic condition. Tracks, plays up to specs. No sonic issues at all. Hours before purchase was 150. I put another 50 playing it for 2 weeks total. The cartridge has boron cantilever. It comes with all boxes and some papers. Specifications: Output: 2.0 mV Tracks: 1.2-1.7 g Loads: 47 kOhms Unloads: 60 Ohms Compliance: 11 Sell: $799 Shipping inside USA is $10Shipping worldwide is $25

Enhance the sound quality of your vinyl records with the SUPEX SDT-1000 Booster for MC Cartridge. This rare booster, made in Japan, is designed to work with universal brands and models, and is silver in color. This booster is the perfect addition to your MC cartridge turntable setup, improving sound quality without compromising on the condition of your vinyl records.

Supex SDX-2000 rare HOMC phono cartridge Koetsu I have very rare Supex SDX-2000 phono cartridge for sale. The cartridge was in my collection for years. recently bought brand new copy- this one for sale. The cartridge is in very good operational and cosmetic condition. Tracks, plays up to specs. No sonic issues at all. Hours before purchase was 150. I put another 50 playing it for 2 weeks total. The cartridge has boron cantilever. It comes with all boxes and some papers. Specifications: Output: 2.0 mV Tracks: 1.2-1.7 g Loads: 47 kOhms Unloads: 60 Ohms Compliance: 11 Sell: $799 Shipping inside USA is $10Shipping worldwide is $25

For sale a very rare to find NEW SUPEX model SD-900 Super MC cartridge. Check my other ads for more high quality vintage electronics.

You are looking at the *SUPEX SD-909 MC Cartridge Condition: Stylus is still sharp and Good Working Condition! *Dont forget to check our other items to view more cool stuff. Well be glad to combine shipping! Express Shipping : 3 - 10 days. Standard Shipping : 7 -14 days. Economy Shipping : 10 - 28 days. Duties and Local Tax are not included.These charges are the buyers responsibility. if you have any question, please feel free to contact me!

New Micro Ridge needle. I run cartridge service - replacement of needles, rewinding coils in MC cartridges.

Supex SD-330 phono cartridge top MC for tonearm turntable Koetsu NEW. Supex SD-330 phono cartridgefor sale. This is MC type fully boxed new old stock. The set is in perfect operational and cosmetic condition. Thecartridge is new and has 2 hours of play time. Output: 0.2 mV Tracks: 1.6-2.0 g Loads: > 10 Ohms Unloads: 10 Ohms Compliance: 14 Sell: $370 Shippinginside USA is $5. International shipping is $18

Supex SD-900 Super phono cartridge for tonearm turntable Koetsu. Supex SD-900 Super phono cartridge for sale. This earlyproduction was made by Koetsu Japan and consider to be one of the finestcartridges made. The cartridge has 200hours of play time and is in very good cosmetic and operational condition. Sell: $450 Shippinginside USA is $5. International shipping is $18

SUPEX SD-900 PRE KOETSU-MOVING COIL PHONO CARTRIDGE HANDMADE BY MASTER JAPANESE CARTRIDGE MAKER YOSAKI SUGANO san IN EXCELLENT WORKING CONDITION AS TESTED AND PLACED INTO SAFE STORAGE. This is a rare original model SUPEX SD-900 moving coil cartridge which is noted for its high-quality sound. This cartridge was handmade by master Japanese cartridge maker Yosaki Sugano san who went on to make the high end Koetsu phono cartridges. Original (non-re-tipped) Cartridge in fantastic condition. Body is labeled JK Japan. Gold plated contacts are scratch free and clean, This is a hard-to-find model right here with low output so you will need a step-up transformer to hear the full bloom of this cartridge. Has that lush Koetsu sound. Specifications: Output Voltage: 0.2MvFrequency Response: 5Hz - 40KHzTracking Force: 1.0 - 1.5gMass: 10gDynamic Compliance: 13 x 10.6cm/DyneStylus Tip: 0.2 x 0.8mil EllipticalLoad Impedance: 3.5 OhmsL/R Separation: 1KHz = >27db Please look at the other audio related auctions up so I can send them to one address. THIS WILL BE SENT SIGNATURE CONFIRMED for pick up fully INSURED.

SUPEX SD-900 PRE KOETSU-MOVING COIL PHONO CARTRIDGE HANDMADE BY MASTER JAPANESE CARTRIDGE MAKER YOSAKI SUGANO san IN EXCELLENT WORKING CONDITION AS TESTED. This is a rare original model SUPEX SD-900 E+ moving coil cartridge which is noted for its high-quality sound. This cartridge was handmade by master Japanese cartridge maker Yosaki Sugano. He went on to make the high end Koetsu phono cartridges. Original (non-re-tipped) Cartridge in fantastic condition. This is a hard-to-find model right here with low output so you will need a transformer to hear the full bloom of this cartridge. Has the lush Koetsu sound. Specifications: Output Voltage: 0.2MvFrequency Response: 5Hz - 40KHzTracking Force: 1.0 - 1.5gMass: 10gDynamic Compliance: 13 x 10.6cm/DyneStylus Tip: 0.2 x 0.8mil EllipticalLoad Impedance: 3.5 OhmsL/R Separation: 1KHz = >27db Other fine items up to save on shipping as this will be sent SIGNATURE CONFIRMED INSURED.

Turntable Linn Sondek LP12 kit Valhalla + Lurne arm 2 + Moving coil cartridge Supex 900 super + Supex SDT 1000 pre-preamplifier. This turntable (pictures1-5), his tone arm and Supex 900 super (picture 6) and Supex SDT 1000 step transformer (pictures 7 and 8) are in perfect working conditions and come with several accessories including a spare belt, the oil for the tone arm in a syringe, a Decca brush for cleaning LPs and a Supex liquid for cleaning the stylus (pictures 9 and 10), the written instructions of Mr. Lurne himself (the conceptor of the famous Goldmund turntable) to adjust any cartridge (in French, but that I will be very pleased to translate, being fully bilingual, picture 11) and all original packages (pictures 12 and 13). The stylus of the Supex 900 super cartridge is in excellent condition as my Linn Sondek was only used to read brand new LPs (see last paragraph below) and has been reading only about 50 LPs. Most of my recording were made with a Thorens 160 with a SME serie 2 tone arm and a cartridge Shure V15 IV resold decades ago. I am a stereo maniac, with a McIntosh amplifier 7270, McIntosh preamplifier C31V, McIntosh CD player MCD 7007, McIntosh FM tuner MR 7082 connected to an external antenna, Quad ESL 63 Pro electrostatic speakers, Revox B77 reel to reel tape recorder, and Nakamichi 1000 ZXL K7 deck, both tape recorders connected to a DBX 124 noise reduction unit (see pictures 14 and 15). Connectic is by Monster cables, except for the Quads, which are connected to the amplifier by Leedh cables. My listening room is almost perfect with a height of 6.5 m in inverse V (see pictures 16 and 17), and thus with a huge volume. The Quads ESL 63 Pro are perfectly placed at 1.2 m of the back and lateralwalls in stone (0.7 m thick) and distant of 4.5 m. The insulation of the walls on the back of the Quads has been rigidified to avoid any parasite vibration as the Quads function in doublet. There is a specific electric line for the stereo directly from the electric counter. You may notice 1) that the amplifier at the bottom of my rack is sufficiently far away of the other components to avoid any radiation of the monstrous output transformers of the McIntosh amplifier 7270, and 2) that the Quads are on home-made metallic stands. They are filled with sand with cork supports on both the metallic plate bottom of the Quads and on the wooden floor. In my personal opinion the Quad stands are not high enough to get a perfect stereo image for a seated listener. I have plenty of test CDs including the Chesky volumes 1 to 3, plenty of friends who are musicians, and I regularly assist to live concerts of mostly Baroque music, blues and jazz... I had two turntables: This Linn Sondek LP12 operating in my main listening room with an AGI 511 A preamplifier (much better than my present McIntosh preamp for its phono section, already sold recently on eBay). Another secondary stereo system with a turntable Thorens TD 160 (also recently sold on eBay, not the one with the SME tone arm) was in use in my office comprising a Marantz 2225 receiver connected to the external FM antenna, a basic Sony CD player CDP-690, and a pair of French 3A Apogée Monitor speakers (see pictures 18 and 19).

Turntable Linn Sondek LP12 kit Valhalla + Lurne arm 2 + Moving coil cartridge Supex 900 super + Supex SDT 1000 pre-preamplifier. This turntable (pictures1-5), his tone arm and Supex 900 super (picture 6) and Supex SDT 1000 step transformer (pictures 7 and 8) are in perfect working conditions and come with several accessories including a spare belt, the oil for the tone arm in a syringe, a Decca brush for cleaning LPs and a Supex liquid for cleaning the stylus (pictures 9 and 10), the written instructions of Mr. Lurne himself (the conceptor of the famous Goldmund turntable) to adjust any cartridge (in French, but that I will be very pleased to translate, being fully bilingual, picture 11) and all original packages (pictures 12 and 13). The stylus of the Supex 900 super cartridge is in excellent condition as my Linn Sondek was only used to read brand new LPs (see last paragraph below). I am a stereo maniac, with a McIntosh amplifier 7270, McIntosh preamplifier C31V, McIntosh CD player MCD 7007, McIntosh FM tuner MR 7082 connected to an external antenna, Quad ESL 63 Pro electrostatic speakers, Revox B77 reel to reel tape recorder, and Nakamichi 1000 ZXL K7 deck, both tape recorders connected to a DBX 124 noise reduction unit (see pictures 14 and 15). Connectic is by Monster cables, except for the Quads, which are connected to the amplifier by Leedh cables. My listening room is almost perfect with a height of 6.5 m in inverse V (see pictures 16 and 17), and thus with a huge volume. The Quads ESL 63 Pro are perfectly placed at 1.2 m of the back and lateralwalls in stone (0.7 m thick) and distant of 4.5 m. The insulation of the walls on the back of the Quads has been rigidified to avoid any parasite vibration as the Quads function in doublet. There is a specific electric line for the stereo directly from the electric counter. You may notice 1) that the amplifier at the bottom of my rack is sufficiently far away of the other components to avoid any radiation of the monstrous output transformers of the McIntosh amplifier 7270, and 2) that the Quads are on home-made metallic stands. They are filled with sand with cork supports on both the metallic plate bottom of the Quads and on the wooden floor. In my personal opinion the Quad stands are not high enough to get a perfect stereo image for a seated listener. I have plenty of test CDs including the Chesky volumes 1 to 3, plenty of friends who are musicians, and I regularly assist to live concerts of mostly Baroque music, blues and jazz... I had two turntables: This Linn Sondek LP12 operating in my main listening room with an AGI 511 A preamplifier (much better than my present McIntosh preamp for its phono section, already sold recently on eBay). Another secondary stereo system with a turntable Thorens TD 160 (also recently sold on eBay) was in use in my office comprising a Marantz 2225 receiver connected to the external FM antenna, a basic Sony CD player CDP-690, and a pair of French 3A Apogée Monitor speakers (see pictures 18 and 19).

Turntable Linn Sondek LP12 kit Valhalla + Lurne arm 2 + Moving coil cartridge Supex 900 super + Supex SDT 1000 pre-preamplifier. This turntable (pictures1-5), his tone arm and Supex 900 super (picture 6) and Supex SDT 1000 step transformer (pictures 7 and 8) are in perfect working conditions and come with several accessories including a spare belt, the oil for the tone arm in a syringe, a Decca brush for cleaning LPs and a Supex liquid for cleaning the stylus (pictures 9 and 10), the written instructions of Mr. Lurne himself (the conceptor of the famous Goldmund turntable) to adjust any cartridge (in French, but that I will be very pleased to translate, being fully bilingual, picture 11) and all original packages (pictures 12 and 13). The stylus of the Supex 900 super cartridge is in excellent condition as my Linn Sondek was only used to read brand new LPs (see last paragraph below). I am a stereo maniac, with a McIntosh amplifier 7270, McIntosh preamplifier C31V, McIntosh CD player MCD 7007, McIntosh FM tuner MR 7082 connected to an external antenna, Quad ESL 63 Pro electrostatic speakers, Revox B77 reel to reel tape recorder, and Nakamichi 1000 ZXL K7 deck, both tape recorders connected to a DBX 124 noise reduction unit (see pictures 14 and 15). Connectic is by Monster cables, except for the Quads, which are connected to the amplifier by Leedh cables. My listening room is almost perfect with a height of 6.5 m in inverse V (see pictures 16 and 17), and thus with a huge volume. The Quads ESL 63 Pro are perfectly placed at 1.2 m of the back and lateralwalls in stone (0.7 m thick) and distant of 4.5 m. The insulation of the walls on the back of the Quads has been rigidified to avoid any parasite vibration as the Quads function in doublet. There is a specific electric line for the stereo directly from the electric counter. You may notice 1) that the amplifier at the bottom of my rack is sufficiently far away of the other components to avoid any radiation of the monstrous output transformers of the McIntosh amplifier 7270, and 2) that the Quads are on home-made metallic stands. They are filled with sand with cork supports on both the metallic plate bottom of the Quads and on the wooden floor. In my personal opinion the Quad stands are not high enough to get a perfect stereo image for a seated listener. I have plenty of test CDs including the Chesky volumes 1 to 3, plenty of friends who are musicians, and I regularly assist to live concerts of mostly Baroque music, blues and jazz... I had two turntables: This Linn Sondek LP12 operating in my main listening room with an AGI 511 A preamplifier (much better than my present McIntosh preamp for its phono section, already sold recently on eBay). Another secondary stereo system with a turntable Thorens TD 160 (also recently sold on eBay) was in use in my office comprising a Marantz 2225 receiver connected to the external FM antenna, a basic Sony CD player CDP-690, and a pair of French 3A Apogée Monitor speakers (see pictures 18 and 19).

Turntable Linn Sondek LP12 kit Valhalla + Lurne arm 2 + Moving coil cartridge Supex 900 super + Supex SDT 1000 pre-preamplifier. This turntable (pictures1-5), his tone arm and Supex 900 super (picture 6) and Supex SDT 1000 step transformer (pictures 7 and 8) are in perfect working conditions and come with several accessories including a spare belt, the oil for the tone arm in a syringe, a Decca brush for cleaning LPs and a Supex liquid for cleaning the stylus (pictures 9 and 10), the written instructions of Mr. Lurne himself (the conceptor of the famous Goldmund turntable) to adjust any cartridge (in French, but that I will be very pleased to translate, being fully bilingual, picture 11) and all original packages (pictures 12 and 13). The stylus of the Supex 900 super cartridge is in excellent condition as my Linn Sondek was only used to read brand new LPs (see last paragraph below). I am a stereo maniac, with a McIntosh amplifier 7270, McIntosh preamplifier C31V, McIntosh CD player MCD 7007, McIntosh FM tuner MR 7082 connected to an external antenna, Quad ESL 63 Pro electrostatic speakers, Revox B77 reel to reel tape recorder, and Nakamichi 1000 ZXL K7 deck, both tape recorders connected to a DBX 124 noise reduction unit (see pictures 14 and 15). Connectic is by Monster cables, except for the Quads, which are connected to the amplifier by Leedh cables. My listening room is almost perfect with a height of 6.5 m in inverse V (see pictures 16 and 17), and thus with a huge volume. The Quads ESL 63 Pro are perfectly placed at 1.2 m of the back and lateralwalls in stone (0.7 m thick) and distant of 4.5 m. The insulation of the walls on the back of the Quads has been rigidified to avoid any parasite vibration as the Quads function in doublet. There is a specific electric line for the stereo directly from the electric counter. You may notice 1) that the amplifier at the bottom of my rack is sufficiently far away of the other components to avoid any radiation of the monstrous output transformers of the McIntosh amplifier 7270, and 2) that the Quads are on home-made metallic stands. They are filled with sand with cork supports on both the metallic plate bottom of the Quads and on the wooden floor. In my personal opinion the Quad stands are not high enough to get a perfect stereo image for a seated listener. I have plenty of test CDs including the Chesky volumes 1 to 3, plenty of friends who are musicians, and I regularly assist to live concerts of mostly Baroque music, blues and jazz... I had two turntables: This Linn Sondek LP12 operating in my main listening room with an AGI 511 A preamplifier (much better than my present McIntosh preamp for its phono section, already sold recently on eBay). Another secondary stereo system with a turntable Thorens TD 160 (also recently sold on eBay) was in use in my office comprising a Marantz 2225 receiver connected to the external FM antenna, a basic Sony CD player CDP-690, and a pair of French 3A Apogée Monitor speakers (see pictures 18 and 19).